<?xml version="1.0" encoding="utf-8" ?><rss version="2.0" xml:base="http://cms-brunolatour.sciences-po.fr/fr/taxonomy/term/23" xmlns:media="http://search.yahoo.com/mrss/" xmlns:dc="http://purl.org/dc/elements/1.1/">
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    <title>Art History</title>
    <link>http://cms-brunolatour.sciences-po.fr/fr/taxonomy/term/23</link>
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    <language>fr</language>
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    <title>Bruno Latour Receives the Nam June Paik Prize</title>
    <link>http://cms-brunolatour.sciences-po.fr/fr/node/20</link>
    <description></description>
     <category domain="http://cms-brunolatour.sciences-po.fr/fr/taxonomy/term/23">Art History</category>
 <category domain="http://cms-brunolatour.sciences-po.fr/fr/taxonomy/term/25">Digital Humanities</category>
 <body>&lt;p&gt;Nam June Paik Art Center Prize, an international yearly award, has been awarded to Bruno Latour, 2010, in Seoul. Visit: &lt;a href=&quot;http://www.njpartcenter.kr/en/program/events/show.asp?id=84&amp;amp;pos=6&amp;amp;page=1&quot; target=&quot;_blank&quot; rel=&quot;nofollow&quot;&gt;Nam June Paik Art Center&lt;/a&gt; for more details.&lt;/p&gt;
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 <pubDate>Tue, 26 Jul 2011 14:18:24 +0000</pubDate>
 <dc:creator>admin1</dc:creator>
 <guid isPermaLink="false">20 at http://cms-brunolatour.sciences-po.fr</guid>
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    <title>What is Iconoclash ? or Is there a world beyond the image wars ? </title>
    <link>http://cms-brunolatour.sciences-po.fr/fr/node/64</link>
    <description>&lt;p&gt;&lt;a href=&quot;http://cms-brunolatour.sciences-po.fr/fr/node/64&quot; target=&quot;_blank&quot;&gt;en lire plus&lt;/a&gt;&lt;/p&gt;</description>
     <category domain="http://cms-brunolatour.sciences-po.fr/fr/taxonomy/term/23">Art History</category>
 <category domain="http://cms-brunolatour.sciences-po.fr/fr/taxonomy/term/11">Compositionism</category>
 <category domain="http://cms-brunolatour.sciences-po.fr/fr/taxonomy/term/21">Religion Studies</category>
 <category domain="http://cms-brunolatour.sciences-po.fr/fr/taxonomy/term/57">Viualization</category>
 <body>&lt;p&gt;Iconoclasm is when there is a clear intent for the destruction or the demise of an image. Iconoclash is when there is an uncertainty about what is committed when an image –from science, religion or art- is being smashed. The paper presents the rationale and the scene of an exhibit taking place in Germany and which aims at turning iconoclasm –and more generally the critical gesture- into a topic rather than a ressource. It contrasts the different pattern of confidence and diffidence into image in the three contrasted realm of science, religion and art.&lt;/p&gt;
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 <pubDate>Mon, 12 Sep 2011 12:20:09 +0000</pubDate>
 <dc:creator>admin</dc:creator>
 <guid isPermaLink="false">64 at http://cms-brunolatour.sciences-po.fr</guid>
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  <item>
    <title>The Migration of the Aura – or How to Explore the Original Through Its Facsimiles </title>
    <link>http://cms-brunolatour.sciences-po.fr/fr/node/151</link>
    <description>&lt;p&gt;&lt;a href=&quot;http://cms-brunolatour.sciences-po.fr/fr/node/151&quot; target=&quot;_blank&quot;&gt;en lire plus&lt;/a&gt;&lt;/p&gt;</description>
     <category domain="http://cms-brunolatour.sciences-po.fr/fr/taxonomy/term/23">Art History</category>
 <category domain="http://cms-brunolatour.sciences-po.fr/fr/taxonomy/term/20">Design</category>
 <category domain="http://cms-brunolatour.sciences-po.fr/fr/taxonomy/term/25">Digital Humanities</category>
 <body>&lt;p&gt;Following the marvelous example provided by the fac simile of Veronese’s Nozze di Cana in San Giorgio in Venice and constrasting this case of a good reproduction with the catastrophic restoration of Holbein’s Ambassadors,  the paper explores the reason why common sense has so much difficulty with the notion that a fac simile may actually add new layers of originality to the original –contrary to the thesis so much popularized by Benjamin’s essay on mechanical reproduction.&lt;/p&gt;
</body>
 <pubDate>Tue, 04 Oct 2011 12:50:14 +0000</pubDate>
 <dc:creator>admin</dc:creator>
 <guid isPermaLink="false">151 at http://cms-brunolatour.sciences-po.fr</guid>
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  <item>
    <title>How to be Iconophilic in Art, Science and Religion</title>
    <link>http://cms-brunolatour.sciences-po.fr/fr/node/196</link>
    <description>&lt;p&gt;&lt;a href=&quot;http://cms-brunolatour.sciences-po.fr/fr/node/196&quot; target=&quot;_blank&quot;&gt;en lire plus&lt;/a&gt;&lt;/p&gt;</description>
     <category domain="http://cms-brunolatour.sciences-po.fr/fr/taxonomy/term/23">Art History</category>
 <category domain="http://cms-brunolatour.sciences-po.fr/fr/taxonomy/term/21">Religion Studies</category>
 <category domain="http://cms-brunolatour.sciences-po.fr/fr/taxonomy/term/57">Viualization</category>
 <body>&lt;p&gt;Starting from the work done in the last fifteen years on the scientific vizualization, the paper connects both with art history -comparing the treatment of mediation in both fields, and from there to theology. The paper argues that it is possible to reopen the science/religion debate if religion is stripped of its belief in belief which has no other ground than a mistaken view of scientific information production. The case study is then deployed of the iconography of the Assomption. The transformation of information is then compared, in a systematic way with that of person transportation.&lt;/p&gt;
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 <pubDate>Wed, 05 Oct 2011 16:46:19 +0000</pubDate>
 <dc:creator>admin</dc:creator>
 <guid isPermaLink="false">196 at http://cms-brunolatour.sciences-po.fr</guid>
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  <item>
    <title>The More Manipulations, the Better</title>
    <link>http://cms-brunolatour.sciences-po.fr/fr/node/448</link>
    <description>&lt;p&gt;&lt;a href=&quot;http://cms-brunolatour.sciences-po.fr/fr/node/448&quot; target=&quot;_blank&quot;&gt;en lire plus&lt;/a&gt;&lt;/p&gt;</description>
     <category domain="http://cms-brunolatour.sciences-po.fr/fr/taxonomy/term/23">Art History</category>
 <category domain="http://cms-brunolatour.sciences-po.fr/fr/taxonomy/term/39">Sociology of Science</category>
 <category domain="http://cms-brunolatour.sciences-po.fr/fr/taxonomy/term/57">Viualization</category>
 <body>&lt;p&gt;At first, the temptation is great to treat the visual aspects of so many scientific instruments, papers, posters and displays in the same ways as art historians have considered visualization in their own fields of practice. But if it is true that paintings, photographs, engravings, installations refer many times to other works of art by practicing a form of overt or hidden citations, allusions, parodies or displacements, in science the connection between visual documents is completely different.&lt;/p&gt;
</body>
 <pubDate>Mon, 16 Jan 2012 11:46:55 +0000</pubDate>
 <dc:creator>admin</dc:creator>
 <guid isPermaLink="false">448 at http://cms-brunolatour.sciences-po.fr</guid>
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    <title>Time to apply for the SPEAP 2014-2015 program in Arts and Politics</title>
    <link>http://cms-brunolatour.sciences-po.fr/fr/node/548</link>
    <description>&lt;p&gt;&lt;a href=&quot;http://cms-brunolatour.sciences-po.fr/fr/node/548&quot; target=&quot;_blank&quot;&gt;en lire plus&lt;/a&gt;&lt;/p&gt;</description>
     <category domain="http://cms-brunolatour.sciences-po.fr/fr/taxonomy/term/23">Art History</category>
 <category domain="http://cms-brunolatour.sciences-po.fr/fr/taxonomy/term/11">Compositionism</category>
 <category domain="http://cms-brunolatour.sciences-po.fr/fr/taxonomy/term/12">Ecology &amp; Political Ecology</category>
 <category domain="http://cms-brunolatour.sciences-po.fr/fr/taxonomy/term/57">Viualization</category>
 <category domain="http://cms-brunolatour.sciences-po.fr/fr/taxonomy/term/14">Ecologie</category>
 <body>&lt;p&gt;For they academic year 2014-2015, SPEAP wishes to take advantage of the opportunity presented by the Climate Conference COP21, to be held in Paris in December 2015. Working on the urgent and necessary questions raised, and on new forms of debate and modes of representation for the climate problem. Participants will form multi-disciplinary groups mobilized around commissions generated by this global event.&lt;/p&gt;
</body>
 <pubDate>Fri, 28 Feb 2014 20:07:26 +0000</pubDate>
 <dc:creator>admin</dc:creator>
 <guid isPermaLink="false">548 at http://cms-brunolatour.sciences-po.fr</guid>
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  <item>
    <title>Follow the Reset Modernity! show through twitter @AIMEproject #resetmodernity</title>
    <link>http://cms-brunolatour.sciences-po.fr/fr/node/675</link>
    <description></description>
     <category domain="http://cms-brunolatour.sciences-po.fr/fr/taxonomy/term/41">Anthropology</category>
 <category domain="http://cms-brunolatour.sciences-po.fr/fr/taxonomy/term/23">Art History</category>
 <category domain="http://cms-brunolatour.sciences-po.fr/fr/taxonomy/term/11">Compositionism</category>
 <category domain="http://cms-brunolatour.sciences-po.fr/fr/taxonomy/term/12">Ecology &amp; Political Ecology</category>
 <category domain="http://cms-brunolatour.sciences-po.fr/fr/taxonomy/term/37">Modes of Existence</category>
 <category domain="http://cms-brunolatour.sciences-po.fr/fr/taxonomy/term/57">Viualization</category>
 <body>&lt;p&gt;The AIME team and the students of SPEAP make a special effort for the week to organize a virtual visit of Reset Modernity! and the other shows at ZKM through the twitter links.&lt;/p&gt;
</body>
 <pubDate>Tue, 12 Apr 2016 16:19:52 +0000</pubDate>
 <dc:creator>admin</dc:creator>
 <guid isPermaLink="false">675 at http://cms-brunolatour.sciences-po.fr</guid>
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  <item>
    <title>« Sensitizing »</title>
    <link>http://cms-brunolatour.sciences-po.fr/fr/node/691</link>
    <description>&lt;p&gt;&lt;a href=&quot;http://cms-brunolatour.sciences-po.fr/fr/node/691&quot; target=&quot;_blank&quot;&gt;en lire plus&lt;/a&gt;&lt;/p&gt;</description>
     <category domain="http://cms-brunolatour.sciences-po.fr/fr/taxonomy/term/23">Art History</category>
 <category domain="http://cms-brunolatour.sciences-po.fr/fr/taxonomy/term/20">Design</category>
 <body>&lt;p&gt;To approach the ancient philosophy of common sense—the sensus communis—we might begin at the beginning by asking: How do we make ourselves actually sensitive? By beginning this way, we can pose the present burning question: How do we make ourselves sensitive to one specific character, an unusual character who has been occupying me a lot lately: Gaïa.&lt;/p&gt;
</body>
 <pubDate>Tue, 02 Aug 2016 13:11:14 +0000</pubDate>
 <dc:creator>admin</dc:creator>
 <guid isPermaLink="false">691 at http://cms-brunolatour.sciences-po.fr</guid>
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  <item>
    <title>Prospectus of a new exhibition CRITICAL ZONES to be held at ZKM Karlsruhe from May to October 2020</title>
    <link>http://cms-brunolatour.sciences-po.fr/fr/node/806</link>
    <description>&lt;p&gt;&lt;a href=&quot;http://cms-brunolatour.sciences-po.fr/fr/node/806&quot; target=&quot;_blank&quot;&gt;en lire plus&lt;/a&gt;&lt;/p&gt;</description>
     <category domain="http://cms-brunolatour.sciences-po.fr/fr/taxonomy/term/23">Art History</category>
 <category domain="http://cms-brunolatour.sciences-po.fr/fr/taxonomy/term/11">Compositionism</category>
 <category domain="http://cms-brunolatour.sciences-po.fr/fr/taxonomy/term/20">Design</category>
 <category domain="http://cms-brunolatour.sciences-po.fr/fr/taxonomy/term/12">Ecology &amp; Political Ecology</category>
 <body>&lt;p&gt;Critical Zones: Observatories for Earthly Politics&lt;br /&gt;
	ZKM | Center for Art and Media Karlsruhe&lt;br /&gt;
	9.5. &amp;ndash; 4.10.2020&lt;br /&gt;
	&lt;a href=&quot;https://www.e-flux.com/announcements/275052/critical-zones-observatories-for-earthly-politics/&quot; rel=&quot;nofollow&quot;&gt;Annoucement of the show on e-Flux&lt;/a&gt;&lt;/p&gt;
</body>
 <pubDate>Tue, 09 Jul 2019 07:48:53 +0000</pubDate>
 <dc:creator>admin</dc:creator>
 <guid isPermaLink="false">806 at http://cms-brunolatour.sciences-po.fr</guid>
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    <title>Taipei Biennale of Art will be curated by BL and Martin Guinard, opening October 2020</title>
    <link>http://cms-brunolatour.sciences-po.fr/fr/node/812</link>
    <description>&lt;p&gt;&lt;a href=&quot;http://cms-brunolatour.sciences-po.fr/fr/node/812&quot; target=&quot;_blank&quot;&gt;en lire plus&lt;/a&gt;&lt;/p&gt;</description>
     <category domain="http://cms-brunolatour.sciences-po.fr/fr/taxonomy/term/23">Art History</category>
 <category domain="http://cms-brunolatour.sciences-po.fr/fr/taxonomy/term/11">Compositionism</category>
 <category domain="http://cms-brunolatour.sciences-po.fr/fr/taxonomy/term/12">Ecology &amp; Political Ecology</category>
 <body>&lt;p&gt;“You and I don’t share the same vision of the world” is a frequent figure of speech in political debates, whether in an official or informal setting. But the point is that today it is not merely a difference of “visions” about a space that would be the same for everyone, but a question of “the material nature” of the very world that we are talking about. Whereas in earlier times, geopolitics implied that there were different people with different interests fighting for territories that were parts of the same nature, today it is the composition of this  very nature that is at stake.&lt;/p&gt;
</body>
 <pubDate>Mon, 07 Oct 2019 13:07:09 +0000</pubDate>
 <dc:creator>admin</dc:creator>
 <guid isPermaLink="false">812 at http://cms-brunolatour.sciences-po.fr</guid>
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